Antique Glass
Benjamin Moore · CSP-695
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The Analysis
Antique Glass is a mid-toned green-blue that acts as a neutral. With an LRV of 52.69, it sits right in the middle, meaning it reflects enough light to keep a room from feeling cave-like without being overwhelming or overly bright.
It functions best as a sophisticated main wall colour that provides more personality than a standard white or grey. It serves as a great backdrop for art or wood furniture, anchoring the room without closing it in.
LRV 53History & Origin
The colour has a timeless, heritage quality reminiscent of early 20th-century cabinetry and glassware. It bridges the gap between a traditional, curated look and a clean, updated aesthetic.
How to Use It
This shade excels in kitchens or bedrooms paired with warm honey-toned woods or matte black hardware. If you are using it in a space with less natural light, pair it with crisp white trim to keep the edges defined.
The Mood
This shade provides a restful and balanced environment. It is subtle enough to avoid being tiring, making it an excellent choice for areas where you want a clean, calm atmosphere.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K