Burnt Ember
Benjamin Moore · CSP-120
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The Analysis
Burnt Ember is a deep, muted charcoal that absorbs a significant amount of light due to its low 14.15 LRV. Because it pulls light into the walls rather than reflecting it back, it will make a room feel smaller, more intimate, and grounded.
This is best used as a dramatic accent wall, a moody library backdrop, or for cabinetry to add depth. It is likely too heavy for an entire room unless you are intentionally going for a high-contrast, dark-interior look.
LRV 14History & Origin
It leans toward a modern, sophisticated aesthetic rather than a traditional period look. Its clean, neutral grey-brown undertone avoids the dated feel of older, muddy brown paints.
How to Use It
Pair this with warm wood tones like walnut or teak to prevent the space from feeling cold. Matte black hardware or brushed brass fixtures provide a sharp, professional contrast against the dark finish.
The Mood
Living with this colour feels composed and restful rather than energizing. It creates a cocoon-like effect that minimizes visual clutter and helps the room feel settled and quiet.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K