Doily
Benjamin Moore · CSP-130
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The Analysis
Doily is a balanced, mid-toned neutral that prevents a room from looking stark or clinical. With an LRV of 56.7, it reflects a moderate amount of light, making spaces feel grounded rather than expansive or overly bright.
Doily functions best as a sophisticated whole-house neutral or a wall color for living spaces. It is subtle enough to act as a backdrop for artwork without competing for attention.
LRV 57History & Origin
It leans toward a classic, heritage look, reminiscent of traditional plaster walls found in older homes. It avoids the ultra-modern blue-grey trend, offering a more timeless, organic feel.
How to Use It
This color pairs beautifully with warm wood tones like white oak or walnut and matte black hardware for contrast. It is most effective in bedrooms or open-concept living areas where you need a cohesive, calming finish.
The Mood
This shade provides a restful and stable backdrop for daily life. It is neither high-energy nor cold, making it an excellent choice for areas where you want to avoid visual clutter or intensity.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K