Knoxville Gray
Benjamin Moore · HC-160
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The Analysis
Knoxville Gray is a deep, moody blue-gray that absorbs light rather than reflecting it. Because of its low Light Reflectance Value (LRV) of 14.19, it will make a room feel more intimate and enclosed rather than expansive or bright.
This is an excellent choice for a dramatic focal point, such as a moody study or a kitchen island. It functions best as an anchor color rather than a wall-to-wall choice for small, windowless rooms.
LRV 14History & Origin
This color fits well within the Heritage aesthetic, as it mimics the depth found in traditional 19th-century interiors. It bridges the gap between classic formality and contemporary design.
How to Use It
Pair it with warm wood tones like walnut or oak to balance its coolness, and use unlacquered brass hardware to add a touch of warmth. It works best in rooms with plenty of natural light or artificial task lighting to prevent the color from feeling too flat.
The Mood
Living with this color feels grounded and restful. It lacks the starkness of pure gray, providing a stable, calm backdrop that feels sophisticated without being over-stimulating.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K