Mount Saint Anne
Benjamin Moore · CC-710
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The Analysis
Mount Saint Anne is a mid-toned, cool grey-green that acts as a reliable neutral. Because it has an LRV of 41.89, it doesn't bounce much light around, which keeps a space feeling grounded and intimate rather than large and airy.
It functions best as a sophisticated backdrop for main living areas or bedrooms. It is strong enough to stand on its own without looking like a bland, 'builder-grade' grey, yet subtle enough not to overwhelm the room's furniture.
LRV 42History & Origin
This is a versatile, modern interpretation of classic heritage palettes. It avoids the dated feel of old-school sage while maintaining a timeless, established quality.
How to Use It
This shade excels in home offices and quiet dens. Pair it with warm, natural white oak or dark walnut wood tones to balance the coolness, and use matte black hardware for a sharp, modern contrast.
The Mood
This colour feels highly restful and steady. It removes visual clutter, making it an excellent choice for areas where you want to lower your heart rate and feel organized.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K