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HeritageSouth-Facing

Stonybrook

Benjamin Moore · 1566

The Analysis

Stonybrook is a mid-toned grey-green that absorbs a fair amount of light due to its 28.68 LRV. Because it is darker, it will make a room feel more intimate and grounded rather than spacious or bright.

It works best as a primary wall colour in rooms meant for relaxing, like a bedroom or a study. It is too muted to serve as a high-energy accent but excels as a sophisticated, neutral backdrop.

LRV 29

History & Origin

This shade leans toward a heritage aesthetic, reminiscent of traditional Arts and Crafts palettes. It feels timeless and grounded rather than following trendy, high-contrast modern palettes.

Undertoneneutral
FamilyNeutral

How to Use It

Pair this with warm walnut or light oak wood tones to soften the green undertones. For metals, stick to unlacquered brass for a classic look or matte black if you want a sharper, modern edge.

The Mood

This colour feels highly restful and stable, similar to the sensation of being outdoors in a forest. It creates a calm, quiet atmosphere that is perfect for spaces where you want to reduce visual noise.

Colour harmonies

Complementary

Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.

Analogous

Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.

Split complementary

Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.

Triadic

Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.

Tetradic (square)

Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.

Monochromatic

Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.

Brand Matches

Perceptually similar colours from across all brands in our database.

  • Sea Pine

    Benjamin Moore · AC-17

  • CITYSCAPE

    Jotun · 6379

  • RAW DIAMOND

    Jotun · 5063

  • Skyscraper

    Valspar · 8004-34E

  • Storm Clearing

    Dulux

  • Millennium Silver

    Behr · HDC-NT-27

Lighting

See how this colour shifts across natural and artificial light conditions.

  • Natural
  • Morning
  • Afternoon
  • Evening
  • Overcast
  • 2700K
  • 3500K
  • 4000K
  • 5500K