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In Good Taste 0505

Colourtrend

The Analysis

In Good Taste is a mid-toned, desaturated blue-grey that leans heavily into a cool, grounded aesthetic. With an LRV of 31.6, it absorbs a fair amount of light, which creates a cozy, contained feeling rather than an airy or expansive one.

It works best as a sophisticated backdrop that anchors a room without shouting for attention. It is an excellent choice for a main wall colour if you are looking to create a moody, cohesive environment.

LRV 32

History & Origin

This colour feels distinctly modern and tailored. It moves away from traditional pastels, offering a contemporary edge that feels current and intentional rather than nostalgic.

Undertonecool
FamilyTeal

How to Use It

Use this in home offices, bedrooms, or dens to define the space. It pairs exceptionally well with warm, natural wood tones like walnut or oak to balance the coolness, and matte black hardware to sharpen the look.

The Mood

This shade promotes a sense of focus and calm, making it ideal for spaces where you want to reduce visual noise. It feels stable and professional, avoiding the restlessness that can come with more saturated colours.

Colour harmonies

Complementary

Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.

Analogous

Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.

Split complementary

Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.

Triadic

Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.

Tetradic (square)

Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.

Monochromatic

Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.

Brand Matches

Perceptually similar colours from across all brands in our database.

  • James

    Little Greene · 6154

  • Daphne

    Sherwin-Williams · SW9151

  • Maritime Hush

    Valspar · 1-877

  • Evening Eclipse

    Valspar · 4007-3C

  • Coastline

    Benjamin Moore · AF-570

  • Blue 17

    Lick · Blue 17

Lighting

See how this colour shifts across natural and artificial light conditions.

  • Natural
  • Morning
  • Afternoon
  • Evening
  • Overcast
  • 2700K
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  • 5500K