Flying Fish
Behr · 590B-6
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The Analysis
Flying Fish is a deep, saturated blue that absorbs a significant amount of light due to its low LRV of 17.73. Because it doesn't reflect much light, it will make a room feel more intimate and enclosed rather than expansive or airy.
This color is best utilized as a dramatic accent wall or a bold choice for cabinetry and trim work. Using it on every wall in a small room can feel quite heavy, so it functions best as a saturated focal point.
LRV 18History & Origin
This is a modern, punchy take on traditional naval blues. While it leans into contemporary design, its depth provides a clean, refined look that avoids the dated feel of older, chalky blues.
How to Use It
It pairs beautifully with warm wood tones like walnut or teak, which cut through the cool blue. For hardware, go with unlacquered brass to provide a high-contrast pop, or matte black for a more modern, cohesive edge.
The Mood
Living with this shade creates a grounded, focused atmosphere. It feels steady and restful, making it an excellent choice for spaces where you want to retreat rather than stay energized.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
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- 4000K
- 5500K