Intoxication
Behr · PPU10-5
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The Analysis
Intoxication is a saturated, mossy olive that absorbs more light than it reflects due to its lower LRV of 37.62. It will make a room feel cozy and enclosed rather than airy, which works best if you want to create a grounded, cocoon-like atmosphere.
This is a statement colour rather than a neutral backdrop. It works best as an anchor on all four walls in a study or library, or as a bold focal point on an accent wall in a living area.
LRV 38History & Origin
It draws heavily on mid-century modern palettes, specifically the 1960s and 70s trend of using rich, nature-inspired tones. It feels curated and purposeful rather than vintage or period-specific.
How to Use It
Pair this with warm walnut or light oak wood tones to play up the natural vibe. For hardware, matte black provides a sharp, modern contrast, while unlacquered brass adds a sophisticated, traditional edge.
The Mood
This shade leans into a restorative, earthy quality that feels stable and organic rather than high-energy. Living with it daily provides a calm, grounded backdrop that avoids the sterile feel of plain white or grey walls.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K