Chopped Dill
Benjamin Moore · 496
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The Analysis
Chopped Dill is a moody, earthy olive that absorbs light rather than reflecting it, thanks to its low LRV of 20.61. Because it’s quite dark, it will shrink the visual boundaries of a room, creating an intimate, cozy atmosphere rather than an expansive one.
This works best as a saturated accent wall or a dramatic choice for a small space like a powder room or study. Using it on all four walls creates a ‘jewel box’ effect that feels purposeful and sophisticated.
LRV 21History & Origin
This tone draws heavily from 1970s interior palettes, offering a nostalgic, retro-modern look. It feels like a mature evolution of mid-century earth tones rather than a strictly traditional period color.
How to Use It
It pairs beautifully with warm, natural wood tones like walnut or teak and matte black metal hardware. Use it in rooms with plenty of natural light or artificial task lighting to ensure the green undertones don't disappear into a flat gray.
The Mood
Living with this shade feels grounding and steady. It’s a restful, natural tone that avoids the intensity of bright primary colors, making it an excellent choice for rooms where you want to wind down.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K