Gettysburgh Gold
Benjamin Moore · 1064
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The Analysis
Gettysburg Gold is a deep, saturated ochre that absorbs more light than it reflects due to its low LRV of 19.18. It creates an intimate, enclosed feeling that makes large rooms feel grounded rather than expansive.
This is a heavy-duty color best used as a bold accent or for creating a dramatic, immersive study or dining room. It is far too dark to act as a neutral backdrop for an entire house.
LRV 19History & Origin
This color is a hallmark of Heritage design, frequently found in colonial or traditional period homes. It mimics the natural, earth-based pigments used in architecture before the advent of modern synthetic paints.
How to Use It
It pairs best with rich walnut woods and matte black hardware to lean into a sophisticated, moody look. Use it in rooms with ample natural light or intentional warm-toned artificial lighting to prevent the color from appearing muddy.
The Mood
Living with this shade feels warm, stable, and grounding rather than high-energy. It creates a cozy atmosphere that is perfect for winding down, as it lacks the sterile or clinical feeling of lighter, cooler tones.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K