Old Claret
Benjamin Moore · 2083-30
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The Analysis
Old Claret is a deep, saturated plum-toned red that absorbs a significant amount of light due to its low LRV of 12.67. Because it pulls light in rather than reflecting it, the room will feel more intimate and enclosed rather than expansive or airy.
This is best used as a bold accent or a deliberate choice for moody, full-room saturation. It is too heavy to function as a neutral backdrop, so use it where you want to create a high-impact focal point.
LRV 13History & Origin
This shade leans heavily into a Heritage aesthetic, reminiscent of the saturated, dark pigments popular in Victorian libraries and dining rooms. It feels established and intentional, rather than modern or minimalist.
How to Use It
It works best in intimate spaces like home offices, powder rooms, or dens. Pair it with warm walnut wood tones to enhance its richness or matte black hardware to emphasize its sharp, modern edge.
The Mood
Living with this color provides a grounding, stable atmosphere that feels sophisticated rather than hyper-energizing. It is a restful choice for evening spaces, as the depth of the pigment creates a cocoon-like effect that signals the brain to settle down.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K