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Old Straw Hat

Benjamin Moore · 337

The Analysis

Old Straw Hat is a high-LRV (87.91) cream that acts as a powerful light multiplier. Because it reflects so much light, it makes enclosed spaces feel significantly more open and spacious.

This is a versatile main wall colour that works beautifully across an entire floor plan. It serves as a neutral foundation that allows your furniture and art to take center stage.

LRV 88

History & Origin

This shade leans toward a timeless, heritage look often found in country homes and period properties. It avoids the clinical feel of modern super-whites, offering a more established, classic presence.

Undertonewarm-green
FamilyYellow

How to Use It

It pairs exceptionally well with warm wood tones like oak or walnut and oil-rubbed bronze hardware. Use it in kitchens or entryways to maximize natural light and maintain a welcoming, durable feel.

The Mood

Living with this colour feels consistently bright and optimistic without the harsh glare of a stark white. It provides a reliable, clean backdrop that remains stable throughout the day.

Colour harmonies

Complementary

Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.

Analogous

Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.

Split complementary

Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.

Triadic

Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.

Tetradic (square)

Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.

Monochromatic

Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.

Brand Matches

Perceptually similar colours from across all brands in our database.

  • Candlelight Yellow

    Behr · 400A-1

  • Twinkle

    Behr · 390A-3

  • Creamerie

    Little Greene · 6154

  • Fresh Lemongrass

    Dulux

  • Light of the Moon

    Benjamin Moore · 365

  • Pernod

    Benjamin Moore · 316

Lighting

See how this colour shifts across natural and artificial light conditions.

  • Natural
  • Morning
  • Afternoon
  • Evening
  • Overcast
  • 2700K
  • 3500K
  • 4000K
  • 5500K