Stonington Gray
Benjamin Moore · HC-170
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The Analysis
Stonington Gray is a true, neutral mid-tone that avoids looking overly blue or yellow. With an LRV of 59.3, it reflects enough light to keep a space feeling open without washing out, making it an excellent choice for balancing moderately lit rooms.
It works best as a primary wall color that ties different rooms together. Because it is so neutral, it acts as a reliable canvas that allows your furniture and art to take center stage.
LRV 59History & Origin
Stonington Gray leans toward a traditional, timeless aesthetic often found in New England colonial homes. It offers a fresh, updated take on classic gray palettes rather than the stark, industrial grays of the last decade.
How to Use It
This shade pairs exceptionally well with crisp white trim and natural oak floors. For metal finishes, use matte black for a modern edge or polished nickel to lean into its cool, sophisticated undertones.
The Mood
This color provides a consistent, calm backdrop that reduces visual clutter. It feels professional and composed, making it ideal for high-traffic areas where you want a clean, orderly atmosphere.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K