ScandinavianUniversal

Swept Away

Benjamin Moore · 701

The Analysis

Swept Away is a light, desaturated green-gray that acts as a neutral backdrop. With an LRV of 64.64, it reflects a significant amount of light, which helps smaller rooms feel more open and less cramped.

It functions best as a main wall color or a whole-house neutral. Because it is muted, it provides enough interest to replace white without overwhelming the furniture or art in the room.

LRV 65

History & Origin

This is a distinctly modern, fresh choice that avoids the heavy, pigment-saturated palettes of the past. It fits perfectly into contemporary homes looking for a natural, soft aesthetic.

Undertoneneutral
FamilyGreen

How to Use It

It pairs exceptionally well with light oak wood tones and matte black hardware for a high-contrast, modern look. Use it in bedrooms or home offices to maintain a calm, professional environment.

The Mood

This color provides a balanced, restful atmosphere that avoids being too clinical or overly bold. It feels stable and clean, making it an excellent choice for rooms where you want to reduce visual clutter.

Colour harmonies

Complementary

Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.

Analogous

Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.

Split complementary

Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.

Triadic

Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.

Tetradic (square)

Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.

Monochromatic

Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.

Brand Matches

Perceptually similar colours from across all brands in our database.

  • Distant Valley

    Valspar · 5002-3A

  • Valley Mist

    Behr · 460E-2

  • Natures Reflection

    Behr · N430-2

  • Tide Pools

    Behr · 480E-2

  • White Rain

    Benjamin Moore · 708

  • Breezeway

    Behr · MQ3-21

Lighting

See how this colour shifts across natural and artificial light conditions.

  • Natural
  • Morning
  • Afternoon
  • Evening
  • Overcast
  • 2700K
  • 3500K
  • 4000K
  • 5500K