HeritageSouth-Facing

Vermilion

Benjamin Moore · 2002-10

The Analysis

Vermilion is a high-intensity red that absorbs significant light due to its low LRV of 15.64. Because it pushes walls forward visually, it will make a room feel smaller and more intimate rather than bright or airy.

Due to its intensity, this is a bold accent colour rather than a wall-to-wall choice. It excels on focal walls, built-in cabinetry, or furniture pieces to anchor a room’s design.

LRV 16

History & Origin

Vermilion has deep roots in both classical Chinese decor and traditional Victorian dining rooms. It offers a punchy, theatrical look that leans toward a bold, maximalist aesthetic.

Undertonewarm
FamilyOrange

How to Use It

Use it in small rooms like a powder bath or a home office to lean into the drama. Pair it with matte black hardware for a modern look, or warm brass and dark walnut woods for a classic, sophisticated finish.

The Mood

This is an energizing, high-stimulation colour that keeps the heart rate up. It is best used in spaces where you want to be alert, rather than rooms intended for relaxation or sleep.

Colour harmonies

Complementary

Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.

Analogous

Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.

Split complementary

Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.

Triadic

Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.

Tetradic (square)

Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.

Monochromatic

Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.

Brand Matches

Perceptually similar colours from across all brands in our database.

  • Ruby Red

    Benjamin Moore · 2001-10

  • Redstone

    Benjamin Moore · 2009-10

  • Red

    Benjamin Moore · 2000-10

  • Scarlet Sun

    Valspar · 1011-1

  • Atomic Red

    Little Greene · 6154

  • Tomato Red

    Benjamin Moore · 2010-10

Lighting

See how this colour shifts across natural and artificial light conditions.

  • Natural
  • Morning
  • Afternoon
  • Evening
  • Overcast
  • 2700K
  • 3500K
  • 4000K
  • 5500K