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Pink Punch

Benjamin Moore · 2006-50

The Analysis

Pink Punch is a saturated, mid-tone pink that prevents a room from feeling washed out. With an LRV of 47.63, it reflects a moderate amount of light, meaning it will add warmth without overwhelming the space, though it will make a room feel more intimate rather than expansive.

Due to its intensity, this is best utilized as an accent wall, in a powder room, or for cabinetry rather than covering every wall in a large living area. It acts as a focal point that demands attention and anchors a room’s decor.

LRV 48

History & Origin

This is a modern, punchy shade that leans away from traditional pastels and toward contemporary design. It fits best in fresh, post-modern palettes rather than historical or period-specific homes.

Undertonewarm-red
FamilyRed

How to Use It

Pair this with matte black hardware to ground the sweetness, or unlacquered brass to lean into a warmer, sophisticated aesthetic. It pairs well with light white oak or dark walnut wood tones to provide a strong contrast.

The Mood

This is an energizing, high-spirited colour that promotes an active and social environment. It feels clean and decisive, making it a great choice if you want to avoid a 'sleepy' or dull atmosphere in your home.

Colour harmonies

Complementary

Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.

Analogous

Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.

Split complementary

Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.

Triadic

Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.

Tetradic (square)

Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.

Monochromatic

Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.

Brand Matches

Perceptually similar colours from across all brands in our database.

  • Hibiscus Petal

    Behr · 140C-3

  • Shaded Primrose

    Valspar · 8002-7C

  • BERMUDA PINK

    Jotun · 3243

  • Infatuation

    Behr · P170-3

  • Supple Pink

    Benjamin Moore · 2007-50

  • Pale Berry

    Behr · 150D-4

Lighting

See how this colour shifts across natural and artificial light conditions.

  • Natural
  • Morning
  • Afternoon
  • Evening
  • Overcast
  • 2700K
  • 3500K
  • 4000K
  • 5500K