Radicchio
Benjamin Moore · CC-32
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The Analysis
Radicchio is a deep, saturated plum that absorbs significant light due to its low LRV of 5.93. Because it reflects so little light, it will make a room feel more intimate and enclosed rather than expansive or bright.
This is a bold, high-impact pigment that works best as a statement choice. Use it to wrap an entire study or library for a dramatic effect, or reserve it for a high-contrast accent wall.
LRV 6History & Origin
This color leans into a classic, heritage aesthetic reminiscent of 19th-century drawing rooms and formal studies. It avoids the 'fresh' look of modern minimalism, opting instead for a traditional, sophisticated weight.
How to Use It
This shade excels in moody dining rooms, powder rooms, or libraries. Pair it with warm, honey-toned wood or aged brass to highlight its red undertones, and use matte black hardware to keep the finish looking sharp.
The Mood
Living with this shade creates a grounded, serious, and luxurious atmosphere. It is a restful, moody color that feels stable and cocoon-like rather than energizing.
Colour harmonies
Complementary
Opposite on the colour wheel — bold, high-contrast pairings. Use for a feature wall or furniture you want to command attention.
Analogous
Neighbouring hues — cohesive and calm, great for layered schemes that feel collected rather than matched.
Split complementary
Near-opposites for strong contrast with a little less tension than a pure complement. A favourite of interior designers.
Triadic
Three evenly spaced hues — balanced, vibrant, and versatile. Keep one dominant and use the others sparingly.
Tetradic (square)
Four hues in a square on the wheel — rich, dynamic palettes. Best when one colour leads and the others accent.
Monochromatic
Dark, mid, and light steps on the same hue — a failsafe gradient for trim, walls, and accents without shifting colour family.
Add harmony palette to a room
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Brand Matches
Perceptually similar colours from across all brands in our database.
Lighting
See how this colour shifts across natural and artificial light conditions.
- Natural
- Morning
- Afternoon
- Evening
- Overcast
- 2700K
- 3500K
- 4000K
- 5500K